A quick update… I am still markering and using a moleskine cahier… Have just started my second one.

Today I just had a light bulb moment (like all light bulb moment they seem very obvious afterwards…)

As much as I loved working through the first moleskine- drawing only on one side of the page – I never fully bonded with the book. (getting severe water damage didn’t help much either!)
It is because I wasn’t working across the spread that it feels more like a sketchbook (each page a separate image that don’t connect) rather than a journal (a record of my life) Even though I did do a few journal type pages the flow between the pages wasn’t there. What is interesting is that a single page of this sketchbook at A4 size is the same size as what I am used to with my normal A5 sketchbook working across the spread. It is not the size but this ‘book-like quality’ to turning pages that obviously is so important to me.

The second moleskine cahier, that I using now, I am going to work every second spread (little I did with the smaller sketchbook in my last post) and I am immediately excited by the feel. Excited that I am now back to journal style but even more excited but the possibilities of working larger size. So even when I write a heap of text like I regularly do, I can still tie it together with an image on the next page. Also combining various images on a page (even over a few days…yet to do this) makes it feel more like a travel journal (ah! That is always a nice feeling isn’t it?) And just in case you are wondering, I am ALWAYS thinking about my next trip (whenever and wherever it might be and thinking about what I will do next time- very much like Alissa’s project recently)

This concept follows on from a discussion recently on facebook when someone asked why we don’t sketch on single pages… I replied:
it is very important for me to work in a sketchbook since my sketching is all about the process of recording a moment and telling the story of my life. Individual sheets of paper is too disjointed for me- sure I could bind them later but I like seeing the narrative evolve through a book. I find that there is a lot more pressure to produce a perfect ‘image’ when all I really want to do is have fun and record the moment.

but since then I have realised that just being in a sketchbook isn’t enough – there has to be a narrative!

So, I think that by the next adventure will be to try a large moleskine watercolour book (A4 landscape) I got one in the mail today. … a little worried about whether it will fit on small cafe tables but excited by new adventures to come.

(the other sketchbook is the one I am currently using- my moleskine cahier with a cover by Paul Wang from Singapore) Ok… That’s even rambling from me for today!!!